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Courses/Grade 8 Science - Life Science: Cells, Tissues, Organs, and Systems/Optics-Related Technologies

Optics-Related Technologies

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Examine various technologies that utilize optics.

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Mirrors: Concave and Convex

Mirrors, But Make It Drama
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Mirrors, But Make It Drama

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Mirrors: Concave vs. Convex — Light’s Favorite Drama Queens

"Concave concentrates; convex spreads." — Put this on a T-shirt and suddenly you’re great at optics.

We’ve already time-traveled through the history of optics, admired the science-y glow up of light in labs, and measured its properties like total nerds with protractors. Now it’s showtime for the tools that make light behave: mirrors. Not the bathroom kind that judges you. The science kind that bends reality (well, images) in ways that power telescopes, car mirrors, and your front camera nightmares.


Quick Recap (No Pop Quiz, Promise)

  • Light travels in straight lines (until it doesn’t, but that’s for diffraction day).
  • When light hits a smooth surface, it reflects: angle in = angle out.
  • We use rays (little arrows) to model where light goes because trying to follow all photons is like herding cats.

Today’s plot: how curved mirrors take those rays and do absolute wizardry.


Meet the Mirrors

Concave Mirror (aka: the Glow-Up Mirror)

  • Surface curves inward like the inside of a bowl.
  • Reflective side is the “cave” side.
  • Nickname: Converging mirror — it brings light rays together.
 concave:  )   <- reflective side

Convex Mirror (aka: the Wide-Angle Gossip)

  • Surface bulges outward like a ball.
  • Reflective side is the outer surface.
  • Nickname: Diverging mirror — it sends light rays apart.
 convex:   (  <- reflective side

If light were guests at a party: concave mirrors host intimate conversations; convex mirrors start group chats.


Anatomy of a Curved Mirror (Know These Names)

  • Principal axis: The straight line through the center of the mirror.
  • Center of curvature (C): The center of the imaginary sphere your mirror is part of.
  • Focal point (F): Where parallel rays reflect to (concave) or seem to come from (convex). For spherical mirrors, the distance from the mirror to F is about half the radius:
Focal length:  f = R/2
  • Focal length (f): Distance from the mirror to F.

Memory trick: Concave mirrors focus — their focal point is a real location in front of the mirror. Convex mirrors fake it — their focal point is behind the mirror (a “virtual” point).


Ray Rules (AKA: How to Draw the Picture Without Crying)

Use any two of these to locate an image:

  1. A ray parallel to the principal axis reflects through F (concave) or appears to come from F (convex).
  2. A ray through F reflects parallel to the axis (concave); for convex, aim toward F behind the mirror, then reflect parallel.
  3. A ray through C reflects back on itself (normal incidence).

Law of Reflection never takes a day off: angle of incidence = angle of reflection.


What Images Do You Get?

Concave Mirror

  • If the object is far (beyond C): image is real, inverted, and smaller.
  • If the object is at C: real, inverted, same size.
  • Between C and F: real, inverted, magnified.
  • Inside F (close to mirror): virtual, upright, magnified — hello, makeup mirror.

ASCII-ish vibe for object between C and F:

Object      Mirror           Image (real, inverted, magnified)
   |                          \
   |                           \
   |                            \
---+--------------------F----C----)

Convex Mirror

  • Always virtual, upright, and smaller. Image appears behind the mirror.
  • Big field of view, tiny ego boost.
Object   Mirror      Image (virtual, upright, reduced)
   |                  /  (appears behind mirror)
   |                 /
---+------------F--C-(

Side-by-Side Showdown

Feature Concave (Converging) Convex (Diverging)
Surface curve Caves inward Bulges outward
What rays do Converge toward F Diverge as if from F
Focal point Real, in front of mirror Virtual, behind mirror
Image types Real or virtual (depends on distance) Always virtual
Typical image Magnified when close; inverted when far Upright, reduced
Field of view Narrow Wide
Everyday tech Makeup/shaving mirrors, telescopes, flashlights, solar cookers, car headlights Car side mirrors, store security mirrors, hallway safety corners

Poster quote: Concave for power, Convex for perspective.


Tech Spotlight: Where You’ve Met These IRL

  • Makeup/Shaving Mirrors (Concave): Put your face inside the focal length and boom — magnified, upright image.
  • Flashlights & Car Headlights (Concave): The bulb sits at F. Rays reflect out parallel, forming a tight beam. That parabolic reflector is like a light megaphone.
  • Solar Cookers (Concave): Sunlight in, spicy lasagna out. Do not aim at friends. Or ants. Seriously.
  • Reflecting Telescopes (Concave): A big concave primary mirror collects faint starlight and focuses it into an image. More mirror, more star juice.
  • Convex Car Mirrors: “Objects in mirror are closer than they appear” because the image is reduced — you see more area, but distances seem compressed.
  • Security Mirrors (Convex): To see around corners or scan aisles; huge field of view, smaller images.

Historical nod: Alhazen (Ibn al-Haytham) studied reflection like it was his full-time job centuries before your homework, and telescope heroes like Newton weaponized concave mirrors to spy on the cosmos.


Try This at Home: The Spoon Lab

Grab a shiny spoon. Yes, science with snacks.

  1. Look at your face in the bowl side (concave). Move in close. Does your face get magnified and upright? Now back up: does it flip and shrink? That flip happens as you pass the focal point.
  2. Flip the spoon to the back (convex). Your face looks smaller but you can see more of the room. That’s the wide-angle effect.
  3. Bonus: Find F for the concave side by moving a small light and finding a sharp bright spot on a card. Caution: don’t use the sun — you are not trying to start a fire.

Optional Math Corner (for the Nerds Who Love Numbers)

These equations predict image location and size. Use with sign conventions (concave f positive, convex f negative; real distances in front of the mirror are positive; virtual behind can be negative, depending on your convention).

Mirror equation:      1/f = 1/do + 1/di
Magnification:        m = hi/ho = - di/do

Where:
- f = focal length, do = object distance, di = image distance
- hi, ho = image and object heights
- m > 1 magnified; 0 < m < 1 reduced; positive m upright; negative m inverted

Fast example: A face 15 cm from a concave mirror with f = 10 cm.

  • 1/10 = 1/15 + 1/di → 1/di = 1/10 − 1/15 = 1/30 → di = 30 cm (real image in front of mirror)
  • m = −di/do = −30/15 = −2 → inverted and 2× tall (but this happens when you’re beyond F; up close you get virtual, upright).

Translation: Your makeup mirror only magnifies upright when you’re inside the focal length.


Classic Confusions (Let’s Fix ‘Em)

  • “Concave always magnifies.” Nope. Only when you’re inside F. Otherwise, it can shrink and invert.
  • “Convex mirrors lie about distance.” They don’t lie; they show a reduced image so your brain misguesses distance. They trade size for a bigger view.
  • “F is at the mirror.” Not usually — it’s in front (concave) or behind (convex) at distance f = R/2 for spherical mirrors.

Check Your Brain (3 Quick Questions)

  1. Which mirror would you use for a store to watch for shoplifters around the aisle corner, and why? (Convex: wide field of view, upright reduced image.)
  2. You move your face closer and closer to a concave mirror and it suddenly flips from upside-down to upright and huge. What distance did you just cross? (The focal length.)
  3. Car headlights use which mirror, and where’s the bulb placed relative to F? (Concave; bulb at F to shoot a parallel beam.)

Big Picture Wrap

Concave mirrors are the power-lifters of light — they gather and focus. Convex mirrors are the social butterflies — they spread and reveal. Together, they turn straight-line light into tools that help us see farther (telescopes), safer (car mirrors), and brighter (headlights).

The takeaway: control the curve, control the view. Light doesn’t just show the world — with the right mirror, it reshapes your perspective.

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